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Whether you're discovering printmaking for the first time or you're looking for fresh ideas to reinvigorate your practice, you'll find plenty of inspiration in The Printmaking Ideas Book. From traditional methods such as screenprinting, etching and lithography to contemporary techniques such as risography and digital collage, this book is packed with new ideas, methods and tips on every page. Brimming with experimental, arresting and beautiful examples of printmaking from all over the world, it will take your creativity further and awaken new ideas.

Graphic arts --- printmaking --- prentkunst

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Graphic arts --- awards --- graphic arts --- prentkunst --- artistieke prijzen

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This exhibition introduced audiences to the work of early modern painter-etchers of Irish birth or heritage. These artists made a significant contribution to the so-called Etching Revival of the 1880s, earning the recognition of their peers and contemporary art critics. Key works by Robert Goff, Edward Millington Synge, Percy Gethin, Roderic O'Conor, William Booth Pearsall, Estella Solomons, and Stella Steyn were included. The etchings of Irish artists were shown alongside examples by Whistler, Séguin and other Etching Revival printmakers who had a direct influence on their work. An illustrated catalogue presents new research on this all-but-forgotten aspect of Irish art, addressing the motivations and challenges faced by Irish printmakers within the context of the Etching Revival and contemporary Irish art. The exhibition featured material from the National Gallery of Ireland, Dublin City Gallery The Hugh Lane, the National Library of Ireland, Trinity College Dublin and Crawford Art Gallery, Cork as well as prints from the British Museum and the University of Glasgow: The Hunterian.

Painting --- Graphic arts --- etchings [prints] --- easel paintings [paintings by form] --- anno 1800-1999 --- Ireland --- 76 <417> --- 76 <417> Grafische kunsten. Grafiek. Prentkunst--Ierland --- Grafische kunsten. Grafiek. Prentkunst--Ierland

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Pieter Bruegel the Elder (1525/30–1569) is best known today for his paintings of peasant life, yet it was through his exceptional graphic work that he achieved widespread fame during his lifetime. Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that depicted demons, virtuous souls, fools and beleaguered peasants tilling the soil. Often Bruegel produced what one early observer called ‘fantasies and bizarre things, dreams and imaginations’ that were closely based on the work of Hieronymus Bosch and inspired his contemporaries to call him the second Bosch. Published as part of the Bruegel anniversary year celebrations, this luxurious book accompanies the exhibition at the Royal Library of Belgium, Brussels, which is renowned as a pioneer in Bruegel scholarship and holds an unparalleled collection of the artist’s graphic work. Essays by a distinguished group of Bruegel scholars open the book. They discuss the Royal Library of Belgium’s collection of Bruegel prints; the results of the Fingerprint research project; Bruegel as draughtsman and printmaker; Bruegel’s editions, in particular his collaboration with Hieronymus Cock; and the posthumous survival of his art. The essays are followed by 80 reproductions of his drawings, all published at the size of the original works. --Thames and Hudson

Graphic arts --- engravings [prints] --- etchings [prints] --- woodcuts [prints] --- Bruegel, Pieter [Elder] --- Cock, Hieronymus --- 76 BRUEGEL, PIETER --- 76 <064> --- 76 <064> Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- 76 BRUEGEL, PIETER Grafische kunsten. Grafiek. Prentkunst--BRUEGEL, PIETER --- Grafische kunsten. Grafiek. Prentkunst--BRUEGEL, PIETER

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The catalogue brings all the graphic works of Günter Brus: from the early spirit duplicates for announcements concerning the Direct Art Festival (1967), via the silkscreens of the 1970s, the cyclical etchings of the 1980s and 1990s, up to the large body of works of the 2000s. The dry points, in particular, reflect continuation of his actionist working methods: the injuring of the metal surface, the restless working to the point of exhaustion, the intensity of the gestural handwriting. With works from five decades, the book offers a retrospective of his work and a display of the artist's development from actionist to picture poet, as reflected in the graphic works. --Publisher's website.

Art --- posters --- drawings [visual works] --- prints [visual works] --- etchings [prints] --- linocuts [prints] --- fairy tales --- texts [documents] --- Brus, Günther --- Graphic arts --- Art, Austrian --- Art, Modern --- Austrian art --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Visual communication --- History --- Brus, Günter --- Brus --- Wiener Aktionismus --- Viennese Actionism --- 76 <436> "19" --- 76 <064> --- 76 <064> Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- 76 <436> "19" Grafische kunsten. Grafiek. Prentkunst--Oostenrijk--20e eeuw. Periode 1900-1999 --- Grafische kunsten. Grafiek. Prentkunst--Oostenrijk--20e eeuw. Periode 1900-1999